“Learning to Do it Well:” Life, Love and Work in Middlemarch

Middlemarch was published serially over twelve months from 1871-1872

George Eliot’s novel Middlemarch was published nearly 150 years ago, in 8 installments from December 1871 to December 1872. Victorian readers would have had plenty of time to speculate on the characters’ decisions and lives as they awaited the next chapters to be published.  Waiting, you see, was part of serialized reading.

Taking a year to read a novel is an elusive experience for contemporary life centered on binge watching serial television or listening to episodic podcasts.  Immersion has its place, certainly, in a world that is fragmented and demanding, but reading over a period of time affords insight and transformation that compressed immersion does not.

“What is the quality of your waiting?” I once heard a spiritual leader ask.  Academic calendars don’t encourage waiting but our vocational discernment clocks, which should be set for a longer, more deliberate reflection, can. The quality of our waiting can allow us to respond with purpose.

Middlemarch is a novel about vocation—some might even argue, the novel about vocation. It portrays life slowly unfolding before us. Many have seen the novel as a guide to deliberating a professional path, to navigating adulthood, to choosing a marriage partner, to surviving small-town life. More broadly, a recent BBC poll ranked Middlemarch as the greatest British novelContinue reading

Educators have the benefit and obligation of hindsight

I find it useful to think of “vocation” as one of Western culture’s master plots for narrating or making sense of our lives.[1] But we need to recognize that a narrative approach to vocational self-understanding—whether secular or religious—throws into stark relief the differences between the situation 1200px-Rear-view_mirrorof faculty and staff, on the one hand, and the situation of the students with whom they work, on the other.

It is much easier for faculty and staff to tell their stories than it is for students to imagine with any certainty the story that will, eventually, be theirs. And that uncertainty places obligations on educators Continue reading