Telling our Students’ Stories

One of my favorite moments in Lin-Manuel Miranda’s Hamilton (An American Musical) comes in Act I when General George Washington and friends reflect on the momentousness and frailty of leading people at war, in a song titled “History Has Its Eyes on You.” Sing along if you know the tune:

Let me tell you what I wish I’d known / When I was young and dreamed of glory. / You have no control: / Who lives, who dies, Who tells your story?

I know that greatness lies in you / But remember from here on in / History has its / Eyes on you.

Then at the end of Act 2 in the production’s finale, various members (Aaron Burr, Eliza Hamilton, etc.) sing a song titled “Who Lives, Who Dies, Who Tells Your Story.” Therein Washington’s refrain enters again (“When I was young and…”). Others add:

But when you’re gone, who remembers your name? / Who keeps your flame?

And when my time is up / Have I done enough? / Will they tell my story?

As a historian and mentor, these moments cause me to wonder about the question, who gets to tell your story? Or, for our students, who gets to tell their story? The answer to the latter question is, in part: We do.

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Sharon Parks on Good Mentoring

The word “mentor” is used promiscuously in our society, Sharon Daloz Parks remarked recently at a gathering of several dozen higher education professionals at Goshen College. Titled “The Heart of Higher Education: Living Between What Is and What Could Be” and sponsored by the Center for Courage and Renewal, the conference offered a venue for faculty, staff and administrators to engage in conversation over several days about what Parker Palmer calls “the tragic gap,” further circumscribed at this conference as “the tragic gaps in higher education.”

Parks’ talk, which she titled, “Working the Gap, With an Open Heart, an Informed Mind, and a Little Courage,” offered both analysis and words of hope. In it, she wove together many strands from her previous work on student development and meaning-making in the college years. The talk was a treasure trove of insights and research, and upon returning home I pulled her book Big Questions, Worthy Dreams off my shelf to re-read portions of it. Here, I will focus on her comments about good mentoring.

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Growing up In Between: Some Thoughts on Formative Tensions and Vocational Discernment

In an essay entitled “Place and Displacement: Reflections on Some Recent Poetry from Northern Ireland,” Seamus Heaney observes of the people of Ulster that they live in two places: “Each person in Ulster lives first in the Ulster of the actual present, and then in one or other Ulster of the mind.” Just as the two-mindedness of Northern Ireland shaped Heaney’s vocation as a poet, so the conflicts inherent in my native place and upbringing—a tension between the Trailer Park and the Ivory Tower—have fundamentally shaped my vocation and its trajectory. Indeed, my life could well be encapsulated by the only two diplomas I’d ever hang on my office wall if I ever got around to decorating my office, my GED and my PhD. Between these two lie my vocation.

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