Reflections on the Camino: Letting Go of Expectations

The mountain village of O Cebreiro full of pilgrims

As sociologist Tim Clydesdale’s research has shown, one of the most promising and important outcomes of students’ engagement with the concept of vocation is the grounding of idealism through the preparation to face setbacks and reality checks. In other words, students develop what Clydesdale calls “holy grit.” Perhaps it doesn’t hurt, then, for those of us working in the field to encounter some of those setbacks and reality checks ourselves.

Going into the Camino, I had my own idealistic vision of what the trip would be. I had trained as much as one can during a wet, cold Wisconsin spring, so I saw myself hiking swiftly and happily throughout the countryside. I imagined walking alongside students, literally, as they pondered life and unpacked their journey across northern Spain. I would also take time, of course, for my own spiritual reflections on life’s big questions.

I should have known that all would not go as planned.

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Telling our Students’ Stories

One of my favorite moments in Lin-Manuel Miranda’s Hamilton (An American Musical) comes in Act I when General George Washington and friends reflect on the momentousness and frailty of leading people at war, in a song titled “History Has Its Eyes on You.” Sing along if you know the tune:

Let me tell you what I wish I’d known / When I was young and dreamed of glory. / You have no control: / Who lives, who dies, Who tells your story?

I know that greatness lies in you / But remember from here on in / History has its / Eyes on you.

Then at the end of Act 2 in the production’s finale, various members (Aaron Burr, Eliza Hamilton, etc.) sing a song titled “Who Lives, Who Dies, Who Tells Your Story.” Therein Washington’s refrain enters again (“When I was young and…”). Others add:

But when you’re gone, who remembers your name? / Who keeps your flame?

And when my time is up / Have I done enough? / Will they tell my story?

As a historian and mentor, these moments cause me to wonder about the question, who gets to tell your story? Or, for our students, who gets to tell their story? The answer to the latter question is, in part: We do.

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Stories for the Undecided

Some lucky students enter college knowing exactly what they want to do and go on to pursue a career that feels like a calling.  But many enter with several possibilities or only vague notions.  To encourage students to examine their choices, my college lists all entering students as “Undecided.”  However, for understandable reasons, being undecided is profoundly stressful for many students, especially if their initial choices have led to failure and they are still trying to decide on a major late in their sophomore year and even more so, if they are approaching graduation with no clear career direction.  Higher education is expensive and to many Americans occupation “counts” so students want to make the right choice. 

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