Four Types of Vocation

In this post, David Cunningham presents a typology of vocation through Gustave Caillebotte’s paintings and reveals four distinct types of vocation: driven individuals focused on mastery, explorers still searching for their calling, craftspeople engaged in practical work, and those who balance work with other life interests. Each type illustrates varied approaches to vocation and personal fulfillment.

Gustave Caillebotte, Paris Street; Rainy Day (1876).

The construction of a typology is always a hazardous endeavor, given the necessary simplification and broad categorization required to impose a structure on a complex idea. Nevertheless, we can learn something by sketching the general contours of a multi-faceted subject such as vocation.

I recently found myself contemplating a “typology of vocation” while viewing an exhibition of the work of the French painter Gustave Caillebotte (1848–1894) at the Art Institute of Chicago. Many readers will recognize his best-known work, Paris Street; Rainy Day, which is usually displayed in a very prominent place at the Art Institute.

Continue reading “Four Types of Vocation”

The Vocational Power of Serendipitous Reading

This post reflects on the writer’s journey as a young artist, discussing the importance of mentorship and serendipitous reading. It advocates exploring texts outside the vocational canon to enrich understanding and foster interesting conversations. Examples of insightful biographies highlight how stories can enhance theoretical knowledge, emphasizing the role of wonder in vocational discernment.

Once upon a time, when I was a young painter just beginning a graduate program, a generous pastor and theologian invited me into a mentoring relationship when he noticed I was reading James Atlas’ biography of the American poet and writer Delmore Schwartz (1913-1966). Lou Reed had written a song I liked—“My House” on The Blue Mask, released in 1982—about his friend and teacher Schwartz, so I wanted to know more about Schwartz’s life. My mentor and I soon discovered we shared an interest in listening to music, and the following Christmas, he gifted me a copy of Schwartz’s In Dreams Begin Responsibilities.

At that time, I was also struggling with what I understood to be my calling as a young artist, and I was still a long way away from thinking about vocation as a collection of concepts. My mentor counseled me to think of my calling as service and doxology—that is, an expression of praise to God—and was very firm about the relative spiritual value of my calling, regardless of the perceived lack of its economic potential. He read mostly philosophy, and I read mostly critical art theory, but we found common ground in the biography of a cultural legend. Our shared exploration illustrates how reading outside the canon of vocational topics is good for creating opportunities to have interesting conversations that can lead back to vocation.

Continue reading “The Vocational Power of Serendipitous Reading”

Vocation and Purity—Let’s Be Honest

This post presents an imagined dialogue between Sarah and her mentor Joel, exploring the conflict between support of authentic vocational exploration for students and the pursuit of an idealized programmatic outcome. They discuss the dangers of constraining students with pre-imagined paths, emphasizing the need for individual differences and a more flexible approach to discernment.

This post is framed as an imagined dialogue between two friends: Joel is a mentor to the narrator, Sarah. In what follows, Sarah narrates a conversation between the the two of them about an ongoing tension between authentically helping students with vocational discernment and aiming at the ideal and pre-imagined results of programmatic “purity.”

brown wooden table with chairs
Photo by Kampus Production on Pexels.com

My friend Joel sat at a coffeehouse table in the sun with a small stack of art books and his notebook. When I arrived, he welcomed me, no matter that I was a little late for our appointment yet again. He and I have been meeting frequently since right after I arrived on campus in my new role as lead vocational counselor.

The last time we met, Joel had made a cautionary remark about purity that I wanted to follow up on. When I sat down, he smiled broadly and began chatting about spring flowers, as the two of us share a keen interest in plants and gardening. On this day, he had been reading and writing about the American painter, Philip Guston; Joel’s writing about his reading seems to be an admirable life habit.

Continue reading “Vocation and Purity—Let’s Be Honest”

Christi Belcourt on Art and Activism

The final episode of this season’s Callings podcast introduces listeners to Christi Belcourt, a Métis artist, whose painting “Reverence for Life” appears on the cover of the most recent volume from the NetVUE Scholarly Resources Project. In her interview with Erin VanLaningham and John Barton, Christi reflects on this painting and many others—as well as other facets of her life’s work—as powerful points of departure for insights into her own personal vocation as a visual artist and a community and environmental activist.

The final episode of this season’s Callings podcast introduces listeners to Christi Belcourt, a Métis artist, whose painting “Reverence for Life” appears on the cover of the most recent volume from the NetVUE Scholarly Resources Project. In her interview with Erin VanLaningham and John Barton, Christi reflects on this painting and many others—as well as other facets of her life’s work—as powerful points of departure for insights into her own personal vocation as a visual artist and a community and environmental activist.

Continue reading “Christi Belcourt on Art and Activism”

Hearing the Call to Action

Jason Mahn (Augustana College, IL) interviews a former student in order to learn more about the callings to justice-work among students of color and how he and other white professors can better support them as they live out those callings.

A conversation with activist Dezi Gillon (Augustana College, 16).

Dezi Gillon

Dezi Gillon (they/them) is a teaching artist and healer living on occupied Potawatomi territory—what is known today as Rogers Park, Chicago. In 2016, they graduated from Augustana College (Rock Island, Illinois) with Religion and Sociology majors, having participated in Interfaith Understanding, Black Student Union, AugiEquality, and Micah House, a residential intentional community. They went on to graduate from Union Theological Seminary (New York) with an MDiv in 2019 and are currently working with Alternatives Youth and Family Services as a restorative justice coach and educator. I interviewed my former student in order to learn more about the callings to justice-work among students of color and how I and other white professors can better support them as they live out those callings.

Continue reading “Hearing the Call to Action”

Vocation, Art, and Activism: Parker Palmer and Carrie Newcomer

Do you have students who agonize over how they can justify living-college-life-as-usual when so much is so wrong in the world? Likewise, do you find yourself conflicted about how to teach when your heart is troubled by hatred and violence directed at vulnerable groups, by the state of division in our country, and the degradation of our planet?

If so, the concert of song and spoken word by Parker J. Palmer and Carrie Newcomer at the Festival of Faith and Writing at Calvin College would have inspired and strengthened you. If you weren’t there, here are some reflections from someone who was. Continue reading “Vocation, Art, and Activism: Parker Palmer and Carrie Newcomer”