
The construction of a typology is always a hazardous endeavor, given the necessary simplification and broad categorization required to impose a structure on a complex idea. Nevertheless, we can learn something by sketching the general contours of a multi-faceted subject such as vocation.
I recently found myself contemplating a “typology of vocation” while viewing an exhibition of the work of the French painter Gustave Caillebotte (1848–1894) at the Art Institute of Chicago. Many readers will recognize his best-known work, Paris Street; Rainy Day, which is usually displayed in a very prominent place at the Art Institute.
Continue reading “Four Types of Vocation”








